I finished reading Denise Giardina's
Saints and Villains, a novel about Dietrich Bonhoeffer, for my book club last weekend in a reading frenzy. I blazed through the last 200 pages of Giardina's book in about 2 hours. I was sitting outside in warm late afternoon sunshine while the kids were in the pool, so it was easy to lose track of reality for awhile, but my setting was a contrast to the book's setting in WWII Germany.
The Bonhoeffer book is a novel- I have not read his magnum opus
The Cost of Discipleship, although it is now on my To Be Read list. Some years ago we watched a film about him, but I had forgotten the details. So I knew the outline of his story: German theologian killed in Nazi prison camp after being accused of being part of a conspiracy. Even though I knew the ending, I didn't want to put the novel down - proof of a good story line and character development.
I think what drew me in was the conflict Bonhoeffer feels about who he wants to be and who he is. Everyone struggles with this, but Bonhoeffer is from a well to do German family. He isn't nobility, but his father is a well-known psychologist and his mother is from an aristocratic family. So his family identity is very strongly rooted in expectations and responsbilities. He breaks the mold a bit by becoming a theologian. It seems his early work was very systematic, but during his time at Union Theological Seminary in New York, which is where the book opens, he is introduced to ideas of pastoralism and of social justice. He is studies under Reinhold Niebuhr and meets Jean Laserre, a French theologian involved in labor issues. Laserre introduces himself by saying he wants to be a saint, which at first Dietrich scoffs at, but eventually realizes that is the calling of every Christian.
Dietrich also becomes friends at the seminary with a black theologian named Frank Fisher in real life, but Giardina creates a fictional friend named Fred Bishop, in order to create an episode that is probably the most fictional part, but that introduces another theme of the book - the potential for evil to flourish with government approval. After they finish their studies at the seminary, Fred is assigned to a church in West Virginia, which is not where he wanted to go. However, he hears about a mine where men are dying by the dozens. When Dietrich comes to visit before heading back to Germany, the two of them go to the mine and discover that the men are dying by suffocation from silicon. This mine and the dying men become Fred's new church - his mission becomes to try to save them and to minister to them. Bonhoeffer never really visited this place, but the mine was real, and the company that owned it and the US government knew about the dangers and that men were being sent to their deaths every time they entered and many were buried in hidden graves. They were mostly poor, desperate men, many were minorities, and many didn't have families who could protest their unjust treatment. Giardina draws parallels between the inaction of Americans on this issue and on racism to the way the German people turned a blind eye to the injustices of the Nazi regime.
Because that is the other issue that makes Holocaust literature so compelling - how did the German people allow such atrocities to happen? How was evil allowed to flourish? Giardina paints a picture of the Nazi rise to power as a confluence of luck and of inaction. The Bonhoeffer family seems to think that Hitler is a fluke and that his lack of background and education will eventually be evident and his rise to power stopped. Also, the gradual restrictions of liberty and increase of atrocities towards the Jewish people happen slowly, almost imperceptibly, so that people accept one restriction, get used to it, and then turn a blind eye to the next one. It is a process that could easily reoccur, even though everyone seems to think that such a thing is impossible.
The part of history I wasn't so clear about was the story of the resistance movement within the German Intelligence department, the Abwehr. Most WWII fiction and movies focus on the heroes outside of the regime. But the Bonhoeffer family early in the regime of Hitler become involved in a plot to overthrow him. Dietrich's brothers and brother-in-laws are involved in this movement, and initially don't reveal their connections to Dietrich because he early on is vocal in his criticism of Hitler and fascism and the rise of the nationalist church. He becomes a leader in the Confessing Church, which splits from the German national church when it becomes clear that it is under the control of people who support Hitler and are willing to take his direction. German patriotism becomes the focus instead of Christian discipleship. Bonhoeffer's
The Cost of Discipleship critiques the union of religion and politics and points to the connection of all Christians in the city of God.
One of the inner conflicts Dietrich suffers which Giardina does a good job of illustrating is his acceptance of doing little to support his family's undercover resistance, instead of taking a stand. He is a supporter of nonviolence, and at one point almost goes to study with Gandhi, but he feels compelled to stand with his people, in the sense of those who need him in Germany. Giardina connects this conflict with his argument for "costly grace" in
The Cost of Discipleship: "Cheap grace is the deadly enemy of our church. We are fighting today for costly grace. Cheap grace means grace sold on the market like cheapjacks' wares. The sacraments, teh forgiveness of sin, and the consolations of religion are thrown away at cut prices .. . In such a church the world finds a cheap covering for its sins; no contrition is required, still less any real desire to be delievered from sin. . . . Cheap grace is not the kind of forgiveness of sin which frees us from teh toils of sin. Cheap grace is the grace we bestow on ourselves, Cheap grace is the preaching of forgiveness without repentance, baptism without church discipline, absolution without confession. Cheap grace is grace without discipleship, grace without the cros. . . . To endure the cross is not a tragedy; it is the suffering which is the fruit of an exclusive allegiance to Jesus Christ. When it comes it is not an accident,k but a necessity. .. ."
This passage is what makes me want to read the rest of Bonhoeffer's work. This is conviction and accusation. How are we following Christ?
But Giardina illustrates how even Bonhoeffer himself struggled to discern what this looks like in practice. Bonhoeffer wants to stand up to Hitler; he doesn't want to run away from the problems and escape, although he is sent overseas a couple of times in an effort to try to connect with church leaders around the world to let them know what is happening. Sadly, his efforts are ignored by the political establishment in England and America for some time. But his family asks him to stop speaking out. Because he has been an outspoken critic and has gone to an international convention seeking support of the Confessing Church instead of the national church, Dietrich's family is reluctant to let him know about their involvement in the secret plot to overthrow Hitler. However, eventually he is drawn in. Giardina does a good job of dramatizing Dietrich's struggle with his conscience in this section - he must decide whether to moderate his calls to stand up to Hitler with his desire to help the resistance, which means he cannot draw attention to himself.
Also, his involvement in the assassination plot means Dietrich cannot help the Jewish people as he would like. Giardina creates a fictional Jewish love interest for Dietrich (the biggest creative license perhaps), who becomes his conscience and helps him move from inaction to action and to see he must sometimes compromise transparency to stand up to injustice. A quote from his unfinished work the
Ethics hints at this "Being evil is worse than doing evil. Better for a lover of Truth to lie than for a liar to tell the truth. Which is worse? To stay clear of political conflict for fear of compromising the church, or to become involved out of love of neighbor and sin greatly in the process? To escape sin may be the ultimate guilt."
This is a shift from his earlier writings, and I can see why Giardina created a love-interest to explain Bonhoeffer's development. Another timely quote: "When a successful figure becomes especially prominent and conspicuous, the majority give way to the idolization of success. They become blind to right and wrong, truth and untruth, fair play and foul play. It is not even seen that success is healing the wounds of guilt, for the guilt itself is no longer recognized."
The image I had in my mind before reading this book was of a Bonhoeffer who seemed much more heroic than the main character of Giardina's book. Her Bonhoeffer is plagued by depression, unable to make decisions promptly, hesitant to make commitments, angry about the Nazis but ineffectual, not heroic enough to make a difference, and a theologian of intellectual capacity, but not exactly deep faith or a loving demeanor. It isn't exactly a flattering book, but Giardina's Bonhoeffer is very human, and the combination of intellectual curiousity and rigor, his desire to have faith, and his frustration with his inability to be effectual made him easy to relate to. I had thought of him as nearly a saint, and he decides after hearing his seminary friend Jean Lasserre declare his intention to be a saint, that he also wants to live like one. He begins to reevaluate his own understanding of faith, but he must continually confront his own human weakness. It's a common problem - we make progress on the journey to sainthood until our humanity edges in.
In the end, when he is imprisoned for his suspected involvement in the plot to assassinate Hitler, Dietrich is allowed to again unify who he wants to be with how he lives. Eventually, he becomes the minister to the other prisoners. He is gradually given more freedom to roam around the prison as the Nazis grow weaker and disorder begins to infiltrate the system. In prison, Bonhoeffer is interrogated, and Giardina creates a doppelganger out of a Nazi officer who eventually has something of a conversion experience at the end of the book, partly through his questioning of Bonhoeffer and their joint love of music.
What seems a great tragedy for the world is Bonhoeffer's death just weeks before the war ended. It seems at one point he is going to escape death, but he is hanged along with other traitors to the Reich as the Allies are drawing nearer. But although it seems wrong to suggest that his death may have been a blessing, it may be that the blood of martyrdom did more to spread the growth of his teachings on grace and discipleship than if he lived.
As I have been reviewing the book as I write this, I see more themes I'd like to weave in - one being the power of art to further political agendas on both sides of the spectrum. The conflict between the Nazis and communists set up a common enemy that allowed other nations to accept Hitler, as did his use of Christian rhetoric. The conflict between the desire for beauty and comfort vs. the practice of asceticism is another inner battle for Dietrich. And so on. The subject, the setting, the plot, all make this a very absorbing book.