It's been a sad week with the passing of several well-known figures, but the most sorrowful to me is the loss of Wendell Berry. His death is not a surprise since he was 92, but the news caused me real grief. I heard about it from a text message from my cousin whose mother, my aunt, introduced me and our family to the work of Berry some thirty years ago. She met and interviewed him a few times, I think originally at a reading and book signing in a small Kentucky book shop, and she wrote about him for Crisis magazine and The Humane Vision of Wendell Berry.
Many people have said many eloquent things about Wendell Berry since the news of his passing became public. He is remembered with respect, admiration and affection. Well-known but not a celebrity, Berry feels familiar to his readers, like a wise uncle or beloved grandfather. He wasn't just admired; he was loved. Long before I started reading his books in college, he was defending agrarian communities and promoting sustainable land use and writing fiction about Port William and beautiful poems about the beauty and complexity of marriage. At one point, I thought I would write my dissertation about his work, something along the lines of marriage as a metaphor for our relationship to the land, and I once wrote a paper about fidelity to words and place in his poetry and Standing by Words and another about his thoughts on home economics and the impact of stories on family economies. While writing both papers, I remember feeling overwhelmed - Berry's ideas are deeper and more insightful than my attempts to summarize them.
I am also I sorry that I never wrote the letter I thought about writing to thank him for his work, for the beauty of it and the insights in it and the difficulty of it. Berry's work haunts people. It makes me feel guilty at times for our itinerant military life. I've long struggled to reconcile the way we live with the way I'd like to live after reading Wendell Berry. His vision of life is tantalizing, and some people critique it for being idealistic and for failing to acknowledge the dark parts of country life - lack of access to health care and education, drug abuse, loneliness. There are plenty of writers who draw attention to the darkness; Berry offers hope. He doesn't deny the problems - in fact, like a good physician, he diagnoses them and offers the cure: a vision of small towns, family farms, and rooted people caring for one another and the land to prevent the fracturing of lives lived in isolation, whether neighbors are near or far.
Whenever I find myself struggling to align Berry's vision with my own life - unsettled, urban, a part of the military industrial complex - I remember a quote from Mother Teresa, I think, about doves being needed in the halls of war. Not that my husband had any input on the foreign policies, but he could be a servant leader for his troops, someone who cared for his people and cared for the land belonging to the military. His building projects and base maintenance plans made space for nesting plovers and breeding fairy shrimp. And as a military spouse, I tried to offer hospitality and community to fellow spouses and neighbors. A good friend was a role model of this to me - and those bonds of community, while not rooted in place, are rooted deeply in spirit. We still are connecting with those friends. The care and connection offered by the milspouse community seems to me to mirror what Berry saw in small farming communities - people who bring you a meal when you are sick, stay with your babies when you go to the hospital to deliver another, who share recommendations for schools and salons, who help you clean your bathrooms before you move again. I sometimes fear these friendships aren't as strong in the new military as more people turn to their phones for friendship instead of being willing to join a club or go on an outing with current strangers/future friends, but I'm sure it's still happening. To circle back, I think we could answer Berry's call to be faithful and rooted to a place by being rooted in our community and family - our roots spread wide, but also deep in our hearts. To know and love a place takes time and attention - something we didn't always have when we moved after two years - but we did try to approach each new place with wonder and curiosity and a willingness to explore and observe what made this place beloved by its people.
Like fellow mourners, I have been returning to Berry's poetry and essays. I shared some with my classes - starting with the On Being video of "The Peace of Wild Things," but I also love the trailer for "Look and See," which so vividly makes clear the contrast between the technocratic paradigm Berry stands against and the natural beauty he stands for. I also will always come back to "The Country of Marriage." When researching last spring for the Marce Catlett paper, I reread some of his older stories - "Andy Catlett: Early Education" being a happy return.
My prayer is that the love and attention poured out for Berry in remembrance over this week will spread his vision to others and inspire new readers to discover the Port William he created in fiction and the vision of agrarian life he remembered and re-envisioned and hoped to see realized.
I also heard there may still be a book of new essays issued that was in production. I pray that his family is able to find comfort in Berry's honored memory and to preserve the integrity of his work while continuing to broaden its audience.
Some links:
Sometimes hidden from me
in daily custom and in trust,
so that I live by you unaware
as by the beating of my heart,
suddenly you flare in my sight,
a wild rose blooming at the edge
of thicket, grace and light
where yesterday was only a shade,
and once more I am blessed, choosing
again what I chose before.
Copyright © 1999 by Wendell Berry from The Selected Poems of Wendell Berry. Reprinted with permission of Counterpoint Press. https://www.matthewjolson.com/the-wild-rose
The Country of Marriage is one of my favorite of Berry's poems. It was put to music by Malcolm Daglish and the Oolites, a group from Bloomington, IN, at some point in time in the 90s, but I can't find a recording of it online - my mother had their CD.... Here are a couple stanzas that stay in my memory:
IV.
How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.
V.
Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don't know what its limits are--
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen time and again from the great strength
of my desire, helpless, into your arms.
VI.
What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.

